Sushama Nagarkar
Bangalore-based Sutradhar as a resource centre for children's teaching
aids,
seeks to promote creative education. Bangalore-based Sutradhar is a
registered
non-profit organisation devoted
to providing enriched educational
experiences to children and probably
the only one of its kind for the diverse
range of services it offers. It is the
brainchild of Mandira Kumar. In early
ctober this year, Mandira was awarded
the Rotary 'Quest For Vocational Excellence'
award at a glittering function in
Bangalore for her 'commitment to excellence,
ethics and values and her outstanding
contribution to her vocation and thus
community'.
"I have always been interested in
children's education," she shares. "For
about a decade or so, I have been travelling
around the country. Occasionally on
my own and occasionally as an educational co-ordinator. I had been noticing
that there are many grassroots
organisations developing sets of textbooks
and other materials for children. I
felt that there was a need to bring the
spectrum of all these materials under one
roof."
So in November last, with financial
support from the US-based Amar Foundation
and CRY, Sutradhar opened shop,
literally, in downtown Bangalore.
"We
offer a variety of materials under one roof
which otherwise are not available in the
regular marketplace. Thus, we are not
only providing a service to folk toy makers,
we are also providing a service to
manufacturers and non-profit
organisations who are developing teaching
aids by providing for the end users—
parents and educators," Mandira explains.
Thus, there is a wide range of (indigenously
made) toys available, attractively
displayed on easy to access shelves and
arranged according to age ranges and
skills. Besides that, Sutradhar also offers
a variety of low-cost books, teaching aids
as well as story books. Having garnered
a whole personal directory of contacts in
her decade-long travels across the country,
Mandira sources all the materials
herself. "New materials one gets to hear
of," she adds. "We are also constantly
looking at ways of using existing materials
differently. Every state has a folk toymaking
tradition. Many of these are made
and used in a very transient way. As a
central body, we are also trying to see how
designs can be translated into wood and
made more long lasting."
She is convinced that children are the
agenda of every parent. "In fact they are
a mother's prime agenda," she feels.
"There are a lot of mothers who want to
be involved in their children's education
but there is also a lack of awareness.
Sutradhar is a kind of drop-in center
where people not only buy a toy, but if
they are looking for specific information,
that is also available. It is also an occasion
for us to build awareness.
For instance,
we talk to them about the importance
of reading with the child. A parent
of a child with special needs or one with
cerebral palsy may come by. Sometimes,
the parents are at a bit of a loss as to what
to pick up, so we help them out."
Bangalore was chosen as home for
Sutradhar, because Mandira feels that
there is no such resource centre available
in the city. "There may be pockets of educational
groups who have a knowledge
of what is available locally. But our centre
has a wider range of activities than
that. We basically promote creative education."
Besides the sale of toys and materials,
Sutradhar organises workshops,
seminars and exhibitions. In January this
year, there was a workshop on making
and using folk toys in classrooms. The
main faculty person was Sudarshan
Khanna from the National Institute of
Design, Ahmedabad. In July, Sutradhar
organised a three-day Bal Mela for children,
exposing them to a variety of creative
ideas and experiences.
As part of their open fora programme,
a first session for educators from Madhya
Pradesh was organised on Teachers' Day
this year. "This group is very strong at
micro-level work as well as thinking of it
as systemic change. We screened two
films and had an interaction with about
a 100 people," says Mandira.
In October, another seminar on the arts
and education has been organised.
"We
are trying to bring together a community
of like-minded people who use art
Sushama Nagarkar is a Bangalore-based
freelance journalist. Toys and materials for a range of ages and skills
are effectively displayed.
38 HUMANSCAPE, NOVEMBER 1996
and creative mediums with children
in a reflective way, and thus have
common interests. We will discuss
what it is like to work with different
groups of children in different settings.
Again media and the art are our
particular focus."
Of all the hurdles that Sutradhar
has faced along the way, the most
ironic, perhaps, have been the concepts
about education amongst educators
themselves. 'Toys and literature
are not meted importance by
educators," Mandira laments. "For
instance, people tend to think of education
of the underprivileged as concerned
with reading, writing and
starting of a balwadi. That's it. It is
imperative that young children have
play materials, books and literature.
Language is contextual and literature
is exceedingly important for that.
Very often persons considered senior
in the field of education would look
at my little bag of toys and ask what
they had to do with education..."
But rather than look at it negatively,
Mandira has taken it as an opportunity
for creating awareness.
As for future plans, Mandira hopes and
is working towards having a permanent
open access centre for children. "Such centres
already exist for womens' studies,
health and environment issues. But for
Children craft coir and rags into a tree of life.
children and education, there are no such
accesses where one can go for material
and information." She visualises ongoing
processes occurring in the living storehouse
where a synergy could take place.
Where there could be collaborative
work between traditional craftsmen,
where one could infuse new life into
traditional crafts. At Sutradhar,
Mandira consciously works at creating
a via media for successful ideas
transfer. "People need to share good
ideas. Educators who work with
slum children say we can't use these
materials, but our idea of keeping
these materials on the shelves here
is to show that they serve as a symbol
of a learning concept and can be
adapted using local materials. We
not only keep books which tell you
how to adapt the materials. We also
serve to be a mini museum."
Mandira acknowledges that the
reach of the Barbie (read multinationals)
is farther and has a stronger
imagery than most Indian
flavoured toys. And according to her,
schools are microcosms of society,
thus they also reflect what popular
culture is. Perhaps where Sutradhar
does yeoman service is in propagating
the Indian ethos and tradition in
learning.
Mandira first went to the Rotary
Club in search of a van to take her learning
materials out to people in a travelling
exhibition. She ended up with an award
instead. It is hoped that the van is still on
the Rotary agenda.
- Educating The Imagination, Sushama Nagarkar, Humanscape, 01/11/1996, /eldoc/n00_/01nov96HUS3.pdf